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ABOUT US

A razor tonged creature of unknown origins, Mama Said imposes itself with a unique kind of rhapsodic hip hop. The war cry of a tortured soul punctuating the image of a turbulent world seen through the mirror image of an intimate prism. As an uprooted American, Mama Said’s misanthropic wordsmith navigates a maze of contradictions with a lyrical precision of incisive acidity woven into a soulful hip hop.

Supported by an electrifying instrumental crew and a captivating hype woman, Mama Said is an explosive stage experience: the erudite singer wrestles with the eye of the storm to sermonize the failings and absurdities of a flailing society in a cathartic and melodic flow.

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LA RENCONTRE

 

Après 15 ans dans les tranchées d’un cinéma documentaire, à la frontière Israélo-Palestinienne, au contact des Intouchables en Inde et dans les réalités sociales des minorités aux États-Unis, Joshua déverse son laboratoire de recherches sur scène. En 2022, après une rencontre avec les musiciens qui forment aujourd’hui Mama Said, c’est sur la scène musicale Européenne que Joshua s’impose désormais. Son premier titre percutant « Don’t go away mad » sorti en 2023 et le clip éponyme rendu public en 2024 viennent confirmer la puissance de l’émergence de cette formation urban fusion.

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Mama Said transpire une écriture poétique dans une tension endiablée, un débit incessant dans un fracas dément, une rencontre improbable entre Eminem et Noir Désir.

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Mama Said's repertoire is as diverse as the urban culture of its author: rhythm & blues, indie rock and soul are the identity of his plural American youth. As an emancipated street kid, Joshua dabbles in poverty, wealth and abandonment to the rhythm of the decadence of the American megapolises of the 90s. His texts bear witness to the violence of Los Angeles: shootings, evictions, the AIDS epidemic, crack, serial killers; the toxic enthusiasm of a delirious city in decline. Beyond this eventful and precarious childhood, the illiterate poet turns to a sort of literary irony: “talent is born in that uncomfortably familiar space where the rubber hits the road”. But far from depicting a gloomy world with acerbic phrases, the author draws his words from the sincerity of introspection, humor and self-deprecation:

 

“Life is too important a thing to be taken seriously,” as author G. K. Chesterton wrote.

 

After 15 years in the trenches of documentary cinema from the Israeli-Palestinian border to the Untouchables in India and in the social realities of minorities in the United States, Joshua delocalizes his research laboratory on stage. In 2022, after a meeting with the incredible musicians who today form Mama Said, it is on the European music scene that Joshua is now establishing himself. Their first hard-hitting track and eponymous clip “Don’t go away mad” released in 2024 confirms the power of the emergence of this urban fusion experience.

 

Mama Said exudes a poetry of frenetic tension, an incessant flow in free fall, and improbable encounter between Eminem and Noir Désir.

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Joshua Imeson | singer-song writer, guitar, lead singer

Anaïs Douat | cello, bass, singer

Guilhèm Artières | keyboard, trumpet

Victor Pol | drums

About

PARCOURS

 

Les SMAC et scènes musicales : Paloma (Nîmes, 30), Victoire 2 (Montpellier, 34), Le Club (Rodez, 12), Les Docks (Cahors, 46), le Chapeau Rouge (Carcassonne 11), etc.

 

Les co-plateaux avec : La Chica, SoomT, La Yegros, Amadou et Mariam, Highlight Tribe, Braindamage, Flavia Coelho, Cali, etc.

 

Les festivals : Mirza Festival (46), Roots’ergue Festival (12), Vrai Repaire Festival (46), Mesclazik (12), les Résistantes (12), le Festival de Mourèze (34), le Festival de Rocastel (34), Festival des sites et des son (12), etc.

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Les accompagnements : Bajo el Mar, (31), Victoire 2 (34)

 

Les scènes d'intérêt national : le Théâtre Jean Ferrat (Cabestany, 66), l’Astrada (Marcillac, 32), Le Théâtre des Deux Points (Rodez, 12) , Le Théâtre de la Maison du Peuple (Millau, 12).

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